For, they say, after Homer had composed the "Margites", he went about from city to city as a minstrel, and coming to Delphi, inquired who he was and of what country?
Moreover, the Archilochean vita tradition may well have been the actual context for the preservation of Archilochean poetry itself, with a narrative superstructure about the poet's life serving as a frame for "quoting" the poet's poems; there is a comparable pattern of "quoting" Aesop's fables in the Life of Aesop tradition.
Despite the monumental size of the larger Hymns, however, the point remains that they maintain the traditional program of a functional prelude, one that is worthy of pan-Hellenic performance. And the tradition of sacrifice among the Greeks is associated with another religious tradition described by Homer: purification.
By way of countless such performances for over two centuries, each recomposition at each successive performance could become less and less variable. And such evolution entails, again, the eventual crystallization of oral poetic traditions into the kind of fixed poems that are the repertoire of rhapsodes.
An upper limit of BC is indicated by a number of considerations, such as the probability that his work was written down, the fact that he mentions a sanctuary at Delphi that was of little national significance before c. Even so, the name and its form are more pan-Ionian than pan-Hellenic.
Foremost among these lesser gods is the troublesome goddess of love, Aphrodite, who creates a love affair between a Greek woman, Helen, and an aristocrat of Troy named Paris. For example, the presence of rich and distinguished members of society will prompt the Kirghiz akyn 'poet' to introduce episodes reflecting traditions that glorify their families.
He continued to stay a somewhat long time at Oenoe, until the young men, suspecting Hesiod of seducing their sister, killed him and cast his body into the sea which separates Achaea and Locris.
It is in the manner of a poet that he tells his "Cretan lies" compare xvii In the postclassical era of the Alexandrian scholars, when accentual notation was for the first time becoming canonical, it was observed that rhapsodes maintained in their recitations certain idiosyncratic accent patterns that did not match current pronunciation.
Bibliography Homer Homer and Hesiod used the existing oral poetry and folklore to organize the existing mass of deities into what is known as the Olympian Pantheon.
For instance, in the shorter Hymn to Hermes